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This book is a basic introduction to lost-wax casting with emphasis on jewelry making. It is designed to be used both as a textbook and a reference book and is directed primarily at beginners. Experienced casters, however, will probably find some useful ideas; they may even find some new techniques. Heavy emphasis is placed upon understanding why things are done in a particular way, rather than simply presenting a set of cookbook rules that will always work. The book is also available in a 8.5x11 inch comb-bound version for use in the shop or classroom. See ISBN 0-9679600-1-0.
The book contains 13 true stories of lost mines, buried treasure and outlaw loot from British Columbia, Alberta and the Northwest Territories. This collection of stories is unlike most. Although many of the stories themselves are not new, in the past, most authors have merely glamorized the possibility that the treasure existed. This author has gone far beyond that, spending the time and research necessary trying to establish whether or not the treasure did, in fact, exist, whether the people, places and events actually existed. It was a complicated process given the number of years that had passed. Authenticating them however, did not detract from the stories. This collection will stir the adventuresome spirit in any reader.
Dan Brown's 'The Lost Symbol' was the most anticipated novel of 2009, and was the literary event of the year. Alex Carmine examines all the themes in depth, and provides a chapter-by-chapter analysis of 'The Lost Symbol'. From Alex's assessment of the novel, it is very much apparent that Dan Brown has not only been adhering to his own formula, but that he has also been following Joseph Campbell's concept of the hero's journey. We know that Dan Brown likes to play with the names of his characters, so Alex explores these in great detail. In this way, Alex reveals the name of the real American family upon whom the Solomons are based. Alex also shows that, following its development within 'The Da Vinci Code', Dan Brown's still very much in tune with his 'sacred feminine' side, with his stunning representation of womb envy. Dan Brown's fascinating depiction of masculinity within this novel is studied too. In addition to this, Alex explores the literary devices that Dan Brown employs, and the magical sleights of hand that he uses to make the reader look the wrong way. Indeed, one of the main arguments in this book is that Dan Brown has hidden much of the true meaning of 'The Lost Symbol' behind various veils of allegory, much as the Masons do with regards to their secrets, and like the Symbologist Robert Langdon, Alex reveals these meanings to you. However, Dan Brown is an author who also likes to reward his readers, so Alex examines the clues about the novel that he disseminated prior to publication via Facebook and Twitter. Furthermore, Alex considers the various Masonic practices depicted within the novel, and bring to the fore the conspiracy theories that surround this mysterious fraternity. Alex Carmine's very close reading of the novel literally leaves no stone uncovered, and will transform your own interpretation of the text.
Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
Designed for students new to Milton's work, this sourcebook outlines the 17th-century contexts, examines a range of responses to the poem, reprints frequently studied passages of the poem and suggests further reading.
The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari
#1 Worldwide Bestseller Famed Harvard symbologist Robert Langdon answers an unexpected summons to appear at the U.S. Capitol Building. His plans are interrupted when a disturbing object—artfully encoded with five symbols—is discovered in the building. Langdon recognizes in the find an ancient invitation into a lost world of esoteric, potentially dangerous wisdom. When his mentor Peter Solomon—a long-standing Mason and beloved philanthropist—is kidnapped, Langdon realizes that the only way to save Solomon is to accept the mystical invitation and plunge headlong into a clandestine world of Masonic secrets, hidden history, and one inconceivable truth . . . all under the watchful eye of Dan Brown's most terrifying villain to date. Set within the hidden chambers, tunnels, and temples of Washington, D.C., The Lost Symbol is an intelligent, lightning-paced story with surprises at every turn—one of Brown's most riveting novels.